*Magnificent except for the ensemble ending, that is. I've always complained that after someone is dragged down to Hell, anything that follows is an anti-climax. Up to the early 20th Century, this scene was almost always omitted (the opera was written in 1787) - I don't know why producers think it needs to be done today. Oh well.
Wednesday, October 19, 2016
Opera Wednesday
From Mozart's magnificent* opera Don Giovanni, here's the great Ferruccio Furlanetto as the Don's sidekick Leporello, reciting the names from the Don's little black book (which isn't so little). It's "Madamina, il catalogo è questo" – "My dear lady, this is the catalogue". The performance is at the Metropolitan Opera; the conductor is James Levine
*Magnificent except for the ensemble ending, that is. I've always complained that after someone is dragged down to Hell, anything that follows is an anti-climax. Up to the early 20th Century, this scene was almost always omitted (the opera was written in 1787) - I don't know why producers think it needs to be done today. Oh well.
*Magnificent except for the ensemble ending, that is. I've always complained that after someone is dragged down to Hell, anything that follows is an anti-climax. Up to the early 20th Century, this scene was almost always omitted (the opera was written in 1787) - I don't know why producers think it needs to be done today. Oh well.
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