*Magnificent except for the ensemble ending, that is. I've always complained that after someone is dragged down to Hell, anything that follows is an anti-climax. Up to the early 20th Century, this scene was almost always omitted (the opera was written in 1787) - I don't know why producers think it needs to be done today. Oh well.
Wednesday, November 14, 2018
Opera Wednesday: Don Giovanni, by W.A. Mozart
From Mozart's magnificent* opera Don Giovanni, here's the great Ferruccio Furlanetto as the Don's sidekick Leporello, reciting the names from the Don's little black book (which isn't so little). It's "Madamina, il catalogo รจ questo" – "My dear lady, this is the catalogue". The performance is at the Metropolitan Opera; the conductor is James Levine
*Magnificent except for the ensemble ending, that is. I've always complained that after someone is dragged down to Hell, anything that follows is an anti-climax. Up to the early 20th Century, this scene was almost always omitted (the opera was written in 1787) - I don't know why producers think it needs to be done today. Oh well.
*Magnificent except for the ensemble ending, that is. I've always complained that after someone is dragged down to Hell, anything that follows is an anti-climax. Up to the early 20th Century, this scene was almost always omitted (the opera was written in 1787) - I don't know why producers think it needs to be done today. Oh well.
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