Tuesday, July 31, 2018

Regietheater on television!

Three cases of nasty "regietheater" came to our attention this week, and sadly, most Americans are unaware of the attempt to push the wicked agenda on television with classics is rampant the way operagoers are aware of this problem.

First, we have the Canadian Broadcasting Corporation is taxpayer-funded, similar to Public Broadcasting System, National Public Radio, and the Corporation for Public Broadcasting in the United States.  They partnered with notorious X-rated television outlet Netflix to produce "Anne with an E," a television series supposedly based on Lucy Maud Montgomery's book franchise based on the life of Anne Shirley, which in all consisted of ten novels and short stories.  Now it has come to attention that the Justin Trudeau-controlled organisation has decided, with the King of X-Rated Television and the producers, Moira Walley-Becket, has decided to make a character a sexual deviant, much against what the characters Mrs. Montgomery wrote over a century ago.  Of course, this attempt to appease the "quotas" that Hollywood elites and leftist activists such as the Prime Minister are pushing is nothing more than a repeat of regietheater.

Second, Mark Millar is now concocting with Netflix (them again, note the coincidence?) for a series that is more Buddhist thinking than Christian in its nature.  The series features a twelve-year old boy that, according to official releases, claims he is "reincarnated" as Jesus Christ, with the full Bibliospeak of "turning turn water into wine, make the crippled walk, and, perhaps, even raise the dead."  Just reading those statements has me thinking there is too much Hindu influence in "reincarnation" and even in Tibetian Buddhism, which has not seen this practice for over 78 years as the current Dalai Lama was "discovered" by an elaborate clique that selects the person as the new Lama in question.  This "American Jesus" Netflix is advancing has all the signs of Tibetian Buddhism's elaborate scheme to discover a new Lama.  I cannot see the sense in this except for regietheater.

Third, the American Telephone and Telegraph Company's DC Comics brand has decided the fourth season of Supergirl, as it has continued since its move to The CW, pushes the perversion agenda further.  One character was made a sexual deviant, and now a new character will be a man who claims to be a woman.  Just how much more regietheater can this Supergirl be considering none of these perversions would have been acceptable in a DC Comic strip when the brand was first revealed?  Even television you expect children to watch is being perverted to advance this evil agenda.  What gives?

Those of us with opera appreciation have learned of the problem on the live stage.  Now television is being rapidly infested with this that they demand not only tolerance but celebration from every segment of culture, despite being demolished at the ballot box, they use elite institutions to force their agenda down, reminiscent of the King of England's attack on the Colonies in the 1770's that led to a founding document of this very nation.  What will AT&T and Netflix push down next?



Tess Frarand, "Season Two of (CBC's) and Netflix's Anne of Green Gables Show Surprises Families by Making a Character a Lesbian," Movie Guide.

Jennifer Maas, "Mark Millar’s First Slate of Netflix TV Series and Films Includes Superheroes – and Reincarnated Jesus", The Wrap, July 17, 2018.

"Supergirl TV Show To Introduce First Transgender Superhero," Movie Guide.

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